![]() Likewise, every time I move the Linn Ekos Super Evolution (SE) tonearm, it feels more sensuously tight-tolerance microprecise than any other arm I can remember. The original Sondek LP12, back in 1973, came with a stick on a hinge to prop its lid open. I was gobsmacked by how this thick, luxurious lid holds any position along its path with absolute assurancelike magic. The first time I raised the Linn's dustcover, I let out my breath and sighed "whoa!" It felt so steady and controlled. I've been using it now for several months. This feels especially true now, as I use Linn's new, flagship Klimax LP12 record playing system. Surely, this gentle ritual initiates a higher mode of psychic connectedness than poking absentmindedly at a side-facing equilateral triangle on a piece of cheap plastic.Įvery time I play a black disc, I am aware that I am participating in a rite that's been passed down through generations. The simple, quiet act of lowering a tonearm places one's mind at the ready for something marvelous to happen. ![]() Playing records is a delight-filled chore. ![]()
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